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FIFTY FIFTY 'Cupid' Copyright Lawsuit Dismissed in Second Trial...Raises Industry Questions

인포바이브 편집팀|입력 2026.03.05 07:00|4
피프티피프티 '큐피드' 저작권 소송 2심 기각…업계에 던진 과제
사진 출처: 온라인 커뮤니티

Second Trial Court's Decision on Copyright Dispute

A legal battle surrounding a globally successful K-pop hit song that will remain in music history has reached a new conclusion. The Seoul High Court dismissed the appeal filed by Attract Co., Ltd. against The Givers and CEO Ahn Sung-il in a copyright lawsuit. This result is consistent with the first trial judgment, meaning the court has consistently supported the defendants' position.

The court carefully reviewed the legal procedures involved in the transfer of music copyrights from one entity to another. In particular, after reviewing both the formal and substantive requirements necessary for the transfer of intellectual property rights, the court determined that the defendants' acquisition of rights had no legal defects.

Attract's Arguments and the Court's Standards of Judgment

Attract has consistently argued that since they bore all costs incurred in producing 'Cupid,' all rights to the song should belong to them. They presented logic that bearing production costs serves as the basis for copyright ownership and attempted to construct a 'rights theft' narrative based on this argument.

However, the court determined that the act of purchasing a song's copyright from a composer constitutes a legitimate business practice in the entertainment industry. In other words, bearing production costs and owning copyrights are separate concepts, and acquiring rights by paying fair compensation is a contractual act protected by law. With this judgment, Attract's 'rights theft' claim faced significant difficulties in securing legal grounds.

Reconfirming the Authority of Outsourced Production Companies

Through this ruling, it has been reconfirmed that outsourced production teams entering into direct contracts with overseas composers, acquiring songs, and registering them under their own names is legally sound. CEO Ahn Sung-il's side has consistently maintained their position that the acquired creative assets were obtained through fair compensation, and the court determined that there is no illegality in their process of obtaining music revenue.

Industry experts predict that this ruling will bring significant changes to the division of labor and contract drafting practices between small planning companies and outsourced production companies. Since the authority of outsourced production companies has been clearly recognized legally, there is a high possibility that this precedent will be used as a benchmark when designing similar contract structures in the future.

Attract's Response and Future Outlook

Upon receiving news of consecutive defeats, Attract expressed regret and is known to be reviewing whether to file a final appeal to the Supreme Court. However, among industry insiders, the prevailing view is that given the same conclusion reached in both the first and second trials, the likelihood of the Supreme Court reversing the decision is low. In particular, it is expected to be difficult to secure momentum for an appeal given the consistent judgments of the judges.

Attract now faces the prospect of failing to achieve both of its goals: recovering substantial music revenue and securing justification. This goes beyond a simple legal defeat and could have a significant impact on the company's financial operations and external credibility.

Impact and Challenges for the K-pop Industry

With the creators of this globally chart-topping song now dispersed among different parties, this ruling is expected to have psychological implications for all related parties. In particular, fans cannot help but feel bitter upon witnessing the harsh reality of business behind the glittering stage.

This copyright determination is expected to serve as an important precedent for future similar civil and criminal disputes, going beyond simply deciding the ownership of one song. Entertainment industry professionals point out that tensions in the industry due to this ruling are at their highest. Given the complicated interplay of various stakeholders—creators' rights, production companies' roles, and planning companies' investment responsibilities—there is a need for clearer standards and systems.

Following this case, voices calling for the K-pop industry to establish a more transparent and systematic artist management system are growing louder. While the wounds left by this copyright dispute are deep, there is also hope that the entire industry will establish a more mature contract culture through this experience.

This content is general information organized based on publicly available materials. Please check official announcements from relevant organizations for accurate information.

#피프티피프티#큐피드#저작권소송#어트랙트#K팝#음원수익